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Showing posts from November, 2021

For Next Week: Work on Flipgrid Presentation!

  REMEMBER: no more classes for Brit from 1800! Instead, all you have to work on is your book cover presentations on Flipgrid. The post about the presentation, along with detailed instructions about using Flipgrid, can be found here:  http://grassobrit2.blogspot.com/2021/11/flipgrid-presentations-and-resources.html Be sure you can log onto the Flipgrid site before you try to post your presentation. I added everyone to the site, but sometimes things don't work, as you know! Remember, too, that you will record the presentation on Flipgrid, so all you need is a completed powerpoint presentation (or something similar) open on your desktop. Again, the instructions are above. If you have any problems finding appropriate art, please let me know. I know a lot of art and can give you a lot of ideas! Also, look back through our blog posts, where I've posted tons of art over the semester with this assignment in mind (hint, hint)! You can use anything you find on the blog, of course, or a...

For Wednesday: Never Let Me Go, Part 2

  If you missed class on Monday, we started watching the film Never Let Me Go (2010), based on Ishiguro's novel of the same name (2005). This was the book I almost taught instead of The Collector , but decided it was to much of a time jump from Hardy. However, I think it's a great way to conclude the class, so we're going to watch the excellent adaptation of it this week, finishing up on Wednesday. We'll do an in-class writing on Friday based on it, so try to watch it at least on Wednesday, or feel free to rent it yourself (it's on Amazon Prime, and possibly elsewhere, too).  ALSO, don't forget the post below which has the Flipgrid information and links to sources about art:  http://grassobrit2.blogspot.com/2021/11/flipgrid-presentations-and-resources.html Let me know if you have any questions about the presentation! 

For Wednesday: Fowles, The Collector, pp.200-253

NOTE: Remember that the post about Flipgrid and art sources is in the post below  this one.  ALSO, this are your very last response questions for the class! On Friday, we'll have an in-class writing over the end of the book, so enjoy answering TWO of the following questions for the last time this semester... Q1: Toward the end of her life, Miranda records the following in her diary: "uncreative men plus opportunity-to-create equals evil men" (252). What does she mean by this? Does this echo Frederick's earlier statement that "a lot of people...would do what I did or similar things if they had the money and the time" (20)? Is evil simply what happens when morons become artists? :)  Q2: What does Miranda mean by "He is the New People and I am the Few" (249)? Why might this be a problematic definition of the two of them, and how does she often acknowledge its unsuitability to them both? Q3: Throughout her diaries, Miranda is constantly trying Frederic...

Flipgrid Presentations and Resources!

NOTE: The questions for The Collector are in the post BELOW this one. Everyone should have received an e-mail inviting you to sign onto our class' Flipgrid site, "British Literature: Monsters and Madmen." If not, you can find the site here:  https://flipgrid.com/4ae4c72a . To join, enter this code: 4ae4c72a.  Once you're in, there is only one topic: Final Presentations. Click on this and you'll see the instructions. I've already posted a sample video, showing my own presentation, which you can watch to give you a sense of how you might do this (it's 8 minutes long). Remember that YOU ONLY HAVE TEN MINUTES. If you go over, you'll have to re-record it and make it shorter! Ten minutes should be ample time to discuss all six slides, but you do have to keep it brief. You might give it a trial run and time yourself just to make sure. INSTRUCTIONS FOR RECORDING : 1. Click on "Add Response" when you're ready to record your video response. Make su...

For Monday: Fowles, The Collector, pp. 140-200 (or so)

NOTE: Keep reading and get as close to 200 as you can, but you'll have plenty of time to catch up as the readings get shorter next week (since we're close to the end!).  Answer TWO of the following: Q1: According to Miranda's diary, what kind of relationship does she begin to have with Frederick? Though not a friendship or any kind of love affair, how does she attempt to explain the way they talk to one another, and their daily conversations? Consider, too, her comment, "knowing someone automatically makes you feel close to him" (148). You might also consider whether this in part of Frederick's plan all along, or if it's more human nature. Q2: Why might she be interested in Frederick in the same way she's interested in G.P.? Note that she's not attracted to either of them, and both of them try to 'collect' her in their own way. What about them fascinates her, even as they both (in different ways) repel her? Q3: Miranda writes about Frederic...

For Friday: Fowles, The Collector, pp.75-144 (or so)

Munch, Vampire (1895) REMEMBER: no class on Wednesday! I have to run the English table at Senior Day for High School students, so I can't be at class with you. So take some extra time to read The Collector !  Answer TWO of the following: Q1: When Miranda is passed out after her escape attempt, Frederick takes the opportunity to take her clothes off and take pictures of her, which he says was the "chance I had been waiting for" (91). He calls these photos "not artistic, but interesting." Why doesn't he attempt to rape her at this point? Or is the camera its own kind of rape? Consider, too, that he admits, "I thought I would go down and give her the pad again and take other photos, it was as bad as that" (92). Q2: After their aborted attempt to have sex, Frederick claims that "All I did later was because of that night" (109). He also claims that "she didn't see how to love me in the right way. There were a lot of ways she could hav...