“Literature is the sum of its discoveries. What is derivative can be impressive and
intelligent. It can give pleasure and it
will have its season, short or long. But
we will always want to go back to the originators…what is good is always what
is new, in both form and content. What
is good forgets whatever models it might have had, and is unexpected; we have
to catch it on the wing” (V.S. Naipaul)
Welcome to the blog for British Literature to 1800: As
the second part of the British Literature survey at ECU, this class picks up at
a crucial point in literary/world history—the rise of the
artistic/philosophical movement known as Romanticism. The entire 19th century
lived in Romanticism’s shadow, even as the Victorians were trying to distance
themselves from its more alarming excesses. This class will focus solely on the
rise and repercussions of Romanticism throughout the 19th century, beginning
with the “Lake Poets ” and ending with first flickerings
of Modernism. It’s rare that a single class can offer so many iconic literary
works (though we can only touch on a few), but British Literature from 1800 is
just such a class. From Frankenstein’s monster to the first alien invasion from
Mars, this class is full of “firsts,” and I hope you can read these works in
the light of what was to come, yet without seeing them as mere precursors to
the “future.” In many ways, the 19th century is the most modern century of all,
as every book we read today owes something to the literary pioneers of this
era.
Be sure to buy the books for this class as soon as possible--we start reading next week!
Required
Texts
Ø
English Romantic Poetry (Dover )
Ø
Austen,
Persuasion (Norton ed. required)
Ø
Shelley,
Frankenstein (Norton ed. required)
Ø
Fitzgerald,
The Rubaiyat of Omar Khayyam (Oxford )
Ø
Kipling,
The Jungle Books (Penguin)
Ø
Wells,
The War of the Worlds (Penguin)
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