Rhys, Wide Sargasso Sea, Part One

NOTE: Just read Part One for next week, which is fairly short. Part Two is much longer and the narration changes from Antoinette to Rochester (so don't be confused). I'll post a video next week to help you navigate some of the changes and connections between this book and Jane Eyre, especially if you haven't read that novel).

Answer two of the following…

Q1: How does Rhys depict Jamaican society in the 1840’s (which is less than a decade after the Emancipation Act of 1833, which abolished slavery in Britain)? In what ways has life changed since the Act, particularly for Antoinette and her family?

Q2: Is Antoinette English? Jamaican? White? Mulatto? Non-Western? Why is her identity an issue in this novel, and how does she understand who she is in relation to other white people and the islanders?

Q3: What is “obeah” and how does it function in Caribbean society? How does Antoinette understand it as a child? Is it similar to superstition or karma? If so, in what ways?

Q4: Why do the natives burn Coulbiri Esate? What might this represent about the relationship between Europeans and non-Europeans in the Caribbean? Also, why is the image of the parrot so haunting and possibly, symbolic?

Comments

For Monday: Short Lecture on Colonialism and Mansfield

As a way to introduce you to some of the themes we'll be exploring with our last two books, I've recorded a short lecture (about 18 min.) that I would have discussed with you in class if we were still meeting. I know 18 minutes is a lot to watch in a single stretch, so feel free to start and stop, or simply leave it playing in the background. However, I think it will help you see and understand some of the larger ideas going on behind the scenes in Mansfield's stories. AFTER you watch the video, answer the following question as a COMMENT below: "Since many women in the early 19th century tried to hide their identity as a woman by adopting a male name, or writing more 'male' stories, how do you think colonial writers did the same? That is, how did they hide their colonial identity in writing to sound more 'English'? What might they have had to hide, or ignore, or not reveal as a writer? (This will count toward your participation grade, since I can...

Short Lecture on Being "Weak" in Mansfield's Stories

Before we race to the end of Mansfield's stories, I wanted to discuss some of the major themes we've encountered in several of them, particularly "Daughters of the Late Colonel," "The Life of Ma Parker," "Mr. and Mrs. Dove," and "Marriage a la Mode." Watch the video to hear some of my thoughts on these stories, most of which are drawn from your responses to the reading questions. It's a little longer than the last one, but still only about 25 minutes (sorry)! After you finish, answer the following question as a COMMENT on the blog. Q: Talking about emotions, love, death, or otherwise being "weak" was very taboo in British society at this time. What subjects or relationships do you feel are taboo in our own society? And I don't just mean awkward subjects (abortion, politics, etc.), but what emotions or experiences would you have trouble discussing with your parents, your siblings, your friends, and even your sig...

For Friday: Wordsworth, "Ode: Intimations of Immortality"

“Ode: Intimations of Immortality from Recollections in Early Childhood” (pp.51-57): read the entire poem, but the questions will only focus on Stanzas 1-7 NOTE: This is a longer poem, though it’s broken up into short stanza chapters. Read it slowly, and focus on each stanza as an individual poem. Then consider how each one develops a general ‘story’ or narrative about Wordsworth’s life. Consider this, too, as a kind of mid-life crisis poem: Wordsworth feels himself pulling away from the innocent joys he used to experience in life, and the poem is an attempt to find himself—and to convince other readers to find themselves in the thickets of adulthood. Answer TWO of the following... Q1: According to Stanzas 1-4, what causes the poet to feel distanced from the natural world? What has come between him and his imagination/emotions? In Stanza 2 he writes that “But yet I know, where’er I go,/That there hath past away a glory from the earth...

British Literature from 1800, "The Mythmakers"

Search This Blog